In the upper browser pane, search for specific tracks, albums and style, or sort by tempo or intensity. If you don’t already own it, find something from SmartSound that you like, buy and download it right from within Sonicfire Pro 6. This excellent mini-tutorial by Larry Jordan will give you a quick overview of how it works.įrom within the application, you have immediate access to all of your owned titles, as well as any other SmartSound selection (when you are online). It’s more streamlined than version 5, with a clean, modern interface. The new Sonicfire Pro 6 application is a welcomed update. Sonicfire Pro 6 brings with it a modern interface Both multi-layer and single-layer tracks can all be adjusted for time within Sonicfire Pro. If you like the track, but want to lose the drums or lower the lead instrument’s volume within the mix, simply turn off that layer or adjust its volume envelope. Many selections have been mood-mapped – SmartSound’s term to identify music cues that are multi-layered with up to nine instrument layers. These tracks are played by humans with real instruments, so if you want rock, electronic, symphonic, etc. While this might sound like all the music would need to be synthetically generated – it isn’t. SmartSound’s offerings cover a wide range of genres, all of which have been quantized into beat blocks that the Sonicfire Pro application automatically uses for timing adjustments. ![]() You buy the tracks you like once, which includes easy licensing, and then tailor the song for the length needed, for as many productions as required. The starting point is SmartSound’s library of original music. This update adds interesting new features and support for today’s crop of NLEs. Last year they updated their custom Sonicfire Pro audio mixing software to version 6. SmartSound has provided a solution to this dilemma for many years. ![]() Most editors have a pretty innate sense of rhythm, yet often finding and tailoring the right music to your video poses a challenge for even the most talented cutter.
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